Page from a Dutch book on paper-making, a rare edition published in Amsterdam by Jan Christiaan Sepp (1770).

Research on paper-making and experiments with vegetable materials as an alternative to “rags” was crucial at this time. Rags (recycled fibers from used textiles), were in short supply, so transforming different types of material into paper, without the use of rag fibers, became a necessity. Plant materials that were converted into paper products included tree moss, grapevine bark, hemp, stinging nettle, cabbage stalks, and hop tendrils, to name a few. Jacob Christian Schäffer (1718-1790) was the key figure in the research for rag alternatives, producing several volumes on his research. 

Bookshelf with houseplants, home studio of textile design artist, Isabel Wilson, Brooklyn, NY. 
“I think it’s essential to take in your surroundings, to collect and build a unique visual library. I collect things to allow myself to express the truth about my unconscious mind. I find that my collections inform my work and remind me of what I’m attracted to.” ~Isabel Wilson
Photo: Brian W. Ferry for Freunde von Freunden. 

blastedheath:

‘Waterlilies’ textile design by Harry Napper, produced by G P & J Baker in 1905.

(via goodmemory)

Turkish woven textile, tulips, late 16th Century, silk and silver lamella. The tulips represent true-to-life depictions of Turkish plants, but with the added abstract emblem-like elements.

mpdrolet:

The Gardener’s Hands, 2010

Caroline McQuarrie

(via artistjournals)

African Marigold, textile drawing, William Morris (1876). 

Fair trade quilt. Made from recycled antique saris and wedding gowns with Zardosi embroidery, Kutch crochet, and Gujarti mirrors and sequins. Some of the fabric is 80 to 100 years old. 

Tibor Reich, textile designer (1916-1996).